|
SETTING: on a September afternoon in 1909, Quentin Compson has come into the "office" inside the Coldfield house, where Rosa Coldfield has lived wearing black "for forty-three years." |
|
SETTING: the "front gallery" of the Compson house, the same day at twilight, where Quentin talks with his father while waiting from "after supper until it would be time for [him] to start." |
|
SETTING: still the Compson front porch. |
|
SETTING: the Compson front porch; "It was still not dark enough for Quentin to start." |
|
SETTING: This chapter is almost all in italics. It begins with no attempt to set a scene, or identify a speaker, though it soon becomes clear that the voice belongs to Rosa Coldfield, that she is speaking to Quentin, and that her speech was originally made after Chapter 1 but before Chapter 2, during the afternoon that he spent in her house. From the way it appears after Quentin and his father have spent the evening on the porch, the chapter actually seems set inside Quentin's consciousness -- i.e. after his father finishes speaking at the end of Chapter 4, Chapter 5 consists of Quentin's remembering what Rosa had said that afternoon. |
|
SETTING: a night in January, 1910, inside the Harvard dorm room that Quentin shares with Shreve McCannon, his freshman roommate from Canada. |
|
SETTING: the same place as Chapter 6, and later the same night. |
|
SETTING: the same place, as it gets later and colder. |
|
SETTING: the same place, now (after Shreve has turned off the light) dark. |