Mark Twain's Ms

[The Barrett Collection contains a 15-page manuscript in MT's hand of a portion of the script of Ah Sin. The passage begins about a third of the way through act one, in the middle of York's soliloquy about the photograph of Miss Tempest that he has just found. The first page is numbered both "1" and "16 ½," which suggests this elaborated exchange between York and Plunkett was a later addition to the script. (The rest of the pages are numbered "1 & 2" through "15.") The few words that MT wrote and then crossed out are set off in < >. There are numerous differences between this version and the promptbook, most minor; significant cuts are italicized (and to avoid confusion, in this one text, italicized words and phrases inside dialogue are underlined).]


MS PAGE 1


MS PAGE 2




MS PAGE 3








MS PAGE 4







MS PAGE 5





MS PAGE 6







MS PAGE 7







MS PAGE 8





MS PAGE 9




MS PAGE 10






MS PAGE 11



MS PAGE 12




MS PAGE 13





MS PAGE 14



MS PAGE 15

      Click on any page at left to enlarge it.

                                        1                                         (16½

        York (Continuing) (Rapturously) <O, it> (Gazing upon it)--O, it is divine!--simply divine! (Looking around furtively) It's like profanation, but (Kisses it) I do it rev-- (Kiss) reverently. O, as reverently as if (Kiss) it were a pagan's idol & I were (Kiss) the <humblest> meanest & the humblest pagan among all her host of adorers. (Kiss)

1 & 2
        Enter Plunkett, who sees this last kiss.

        Plunkett (aside)--Hello, but he's got it bad. Got the picture, too. Well, 'at's all right, it belongs to him--

        (York is still adoring the picture--hasn't discovered Plunkett.)--

But if he asks questions, what'll I----She told me to keep still about to-day's talk.

        York (discovers Plunkett & is confused.) O, is that you? Tell me (feigning indifference)

3
is this yours?

        Plunkett--That? O yes--it's mine.

        York--But I mean, who does the original belong to.

        Plunkett--(with simplicity) Belongs to me.

        York--(astonished) To you!

        Plunkett--(with unruffled calmness)--Certainly--that is my daughter.

        York--Your daughter?

4
        Plunkett--Of course. You've heard me speak of my daughter often. This is the one.

        York--(trapped into animation)--Why she's divi--a--a-- (confused again)--very good looking.

        (Music.) Enter Ah Sin, U.E., with huge carpet bag to get the gold.

        ---- me gittee that gold.

He sees the 2 men--steals aside & then steps around pocketing little things--pockets York's revolver, he being

5
absorbed in the picture.

        Ah Sin (aside)--Leckon him never see photograph before.


        Plunkett--Yes--yes--she's well enough, though nothing to what her mother was at her age. Born rich, but didn't spoil her--she's as lowly & simple as a cauliflower. Say--how's stocks to-day?

        York--(absently) Stocks? What kind of stocks?

        Plunkett--What kind?

6
Why, mining stocks, of course--the Mary Ann, for instance.

        York (absently)--Yes--O yes--certainly. (Intent on picture)--(musingly) O, she's unrivaled!

        Plunkett--Head of the list, hey? By George I said it, a week ago I did, that very thing. Now that's beautiful.

        York--O, most beautiful!

        Plunkett--Now all she wants is the right sort of handling-- <& if> but she's never had it.

7
        York--What! It isn't possible.

        Plunkett--It's just as I tell you, & I ought to know. O, the leather-headedest job 't ever was.

        York--And yet what a perfectly exquisite result. It seems incredible.

        Plunkett--Well, it does. But it's so. First, they'd crowd her every way they could think of, for a spell--

        York--O, that was so unwise--& such a pity.

8
        Plunkett--Yes, it was a pity--& there weren't any sense in it--& next they'd let up, & just entirely neglect her for a spell.

        York--O, shameful, shameful! (aside) Poor child; poor child!

        Plunkett--That's the word. Shameful. You've got it. Yes, Sir, one spell they'd do the right thing by her, & get her up so ship-shape & gay, that it would done your soul good to look at her.

        York--I can easily

9
believe that. (Aside) <Darling!> Exquisite creature!

        Plunkett--And then again, you know, they'd let her run down & get ornery--O, perfect rag-tag & bob-tail!

        York--It was cruel--it was brutal!


        Plunkett--That's just what I said. Brutal--that was my word. Why looky-here--I'll tell you what they done once. You see, they'd sunk on her about a thousand feet--

        (York begins to stare at him)

10
straight down, perpendicular (illustrating)--an air-shaft, you know.

        York--(interrupting) An air shaft?

        Plunkett--Yes--an air shaft--&--

        York--An air--

        Plunkett--(interrupting in a loud, annoyed voice)--Yes an air shaft, you ass!--are you <hard o' hearing> deaf? Sunk an air shaft on her, 'bout a thousand feet, then they drifted south 300 feet & couldn't find anything.

11
        York--(idiotically) Couldn't find anything--

        Plunkett--(loud) That's what I said. Couldn't find anything--so they cut across from wall to wall--she was about 13 foot wide, there--& timbered her up so she wouldn't cave in--just stoped [sic] her out, you know, till she was as empty as a jug--& then what do these everlasting fools do but put in a blast--'bout 2 ton of nitro-glycerine . . . & by George when that blast went off

12
if it didn't lift <things--It tore out a [illegible] the size of an acre & > her vitals!--Well, sir, of course her hysteing-works were out of order &--

        York--(interrupting) Who are you talking about?

        Plunkett--Who! I ain't talking about any who. <Who'd you spose I was talking 'bout?> I'm talking 'bout the Mary Ann.

        York--The Mary Ann.

13
        Plunkett--Yes, the Mary Ann. Who'd you spose I was talking 'bout?

        York--I supposed you were talking about your daughter.

        Plunkett--(stares at him about a minute) What have you been eating to-day?

        York--I don't know. Why?

        Plunkett
Well it's well it settled on your mind. If it had settled on your stomach 'twould a' killed you. But say--never mind my chaff. I wouldn't hurt

14
your feelings to-day. I've heard 'bout your being busted, & I'm mighty sorry. Of course I wouldn't said a word 'bout borrowing money if I--

        York--(interrupting eagerly)--Not a word of that, not a word! It's a pleasure to me to lend it--a pleasure! (forcing the $15 on the reluctant Plunk.) There, take it--Yes, I assure you I can spare it--to you!

        Plunkett--But--

15
        York--But you must take it, for her--for my sake. Now not a word, not a word! (Aside) He's got a noble face! I can just vaguely begin to notice the resemblance, now, but at first-- (he is looking at the picture.)

        Plunkett--(interrupting)--Put that in your pocket, York, if you want it.

        York
O, thank you, thank you! (seizing both his hands)




Homepage