London, June 10, 1876.--Next week all England will be enjoying a new story by Mark Twain, with a piquant sauce supplied by the novelty of reading it before the Centennial land. Carlyle told me that the first bound book of his he ever saw came to him by mail from New England, and presently Mark Twain may say that the last bound book of his was sent him from Old England. By what means it happens that we are to have "The Adventures of Tom Sawyer" before you I cannot tell; all I know is that, through the kindness of Messrs. Chatto & Windus, who are its publishers, by special arrangement with the author, I have before me early sheets of this story, and have good reason to believe that some notes concerning it will be "news" to the author's countrymen. It is, as I think, the most notable work which Mark Twain has yet written, and will signally add to his reputation for variety of powers. His dramatis personae are mainly some boys and girls residing in the magnificently small village of St. Petersburg, somewhere on the Missouri, the Czar of which village is Tom Sawyer, who settled his western questions more satisfactorily, I suspect, than the chief of the larger St. Petersburg is likely to settle in his Eastern one. Under pretext of this boy-and-girl's romance, Mark Twain has written a book which will not only charm elder readers--especially if they have that age which, as the Book of Wisdom says, "consisteth not in length of years, but in having made the most of them"--but will be of value to philosophers. I shouldn't wonder if Mr. Edward Tylor, in his next book on human evolution--and we are looking for one--should find reason to refer to the survivals of ancient Oriental and Greek myths and beliefs in the elaborate folklore of Tom Sawyer and his comrades. Heine, in his "Exiled Gods," has traced a classic legend of some magnificent deity--Apollo, I believe--until he finds it interesting as an anecdote [about] an old miller in a German parish; and I think it would not be difficult to trace some of the attributes of Siva and Odin, and perhaps the Eleusynian rites, in the notions of these children about their village witch, and the power of a dead cat thrown in a graveyard with precise rules, to remove warts, and sundry other superstitions. No doubt most of us remember such things in our early life--especially if we were born in remote southern or western villages, where the Semitic had not, as in New England, trampled out the Indo-Germanic varieties of superstition; but it was a "happy thought" in Mark Twain to recover them and twine them in with his story. It is a valuable bit of social embryology, for instance, when we find that those barefoot western boys, who know nothing of Catholicism, have somehow got the belief that the devil can't get at them if a cross is near by; and it reminds us of the fact that in the country districts of Europe the most determined Lutheran, if he thinks himself bewitched, will repair to the Catholic priest for the exorcism, and never to his Protestant pastor. However, this is but a small part, however valuable to
certain minds, of the interest of this work. Incidental,
also--but very striking--are the indications in it of how,
amid all the spars and fragments of a past that has gone to
pieces and been washed up on the beach of a new moral
continent, new tendencies are seen forming, and new themes,
which are still harmonious with what is eternal in human
nature. Children report the past and foreshadow the future.
Here in England the boy repeats the history of his
ancestors,--aye, and the girl, too. The boy is a savage,
and then a Viking and a pirate in his tastes, a nomad in
his love adventure, and passing through the age of the
huntsman, affects agriculture and mechanic art for a time,
becomes a knight errant, and so advances to be an
Englishman. These embryological states of development are
very marked at some points. Thus there is a phase in the
life of English children of both sexes--and a phase which
lasts inconveniently long--when they madly desire to run
about in the garden naked. It requires the utmost vigilance
to prevent them from doing this in the little gardens of
London. Many a boy and girl here will feel an agony of envy
when they contemplate the scene of Mark Twain's three boys
painted with mud to look like Indians racing up and down
the beach to their heart's content. Many other scenes and
notions, too, will correspond to the familiar feelings of
the healthy British boy and girl. But now and then they
will pause with some wonder, and it will be at some point
where the village of Missouri has unfolded some
unprescribed tendency in human nature or, perhaps,
recovering one that was lost. It will introduce a novel
ethical problem in the young circles of England when they
read about Tom Sawyer's lie. Tom has been deeply offended
by a little girl whom he had adored. She was soon after in
great trouble, having torn a valuable book belonging to the
teacher while surreptitiously examining it at his desk. The
teacher is going down from boy to boy and girl to girl,
switch in hand, asking each if he or she had done the
dreadful deed. The guilty, terrified girl is reached at
last, and the fearful question is being asked: "Becky
Thatcher, did you--." Just here a boy's voice sounded
through the breathless school. "I done it." It was Tom; he
took his unmerciful flogging. The girl's father, when he
heard of this long after, declared "it was a noble, a
generous, a magnanimous lie--a lie that was worthy to hold
up its head and march down through history breast to breast
with George Washington's lauded truth about the hatchet."
Besides this perilous accident, there is an interest of an
equally doubtful kind surrounding a unique and vigorously
drawn character called Huckleberry Finn, the juvenile
Pariah of the village, son of the town drunkard thus
described: Huckleberry comes into fortune at last, or what respectable people think fortune, and is taken into a respectable home by kind people, who try to educate and civilize him, but he finds it irksome, cannot bear it, disappears, and is found afterward sleeping in such quarters as tradition assigns to Diogenes, and begging Tom to take the wealth that has befallen him and allow him to continue in his old felicity of vagabondage. There is in this work more that is dramatic than in any
of Mark Twain's previous works, and some scenes that are
impressive, and even weird., There is a thrilling murder-
scene, a graphic trial-scene, and a solemn
retribution-scene,--the murderer, a half-breed called
"Injun Joe," being barred up in a cavern where he was
accustomed to hide the money got by robbery. He is entombed
there accidentally, it having been thought necessary to
close up the cave after Tom and Becky had been lost in it,
and nearly perished. When "Injun Joe" is finally tracked to
it, the villagers rush to the spot, and, opening the cave,
find him there dead. The humor of the book breaks out everywhere in little
touches, and is, of course, the chief characteristics of
many of the chapters. The showing-off day at a
boarding-school, when the young misses parade in their
ribbons, is portrayed with exquisite drollery; and the
poetical compositions recited on the occasion are given
with a realistic exactness which cannot be surpassed. The
author assures us that these compositions are genuine, and
so I think I must quote some of the specimens: There are some respects in which Mark Twain excels any
living humorist--if we can still so describe a writer who
has shown such various powers (which is doubtful)--and one
in his innate refinement and self-restraint. With perfect
freedom in his style he is never coarse, and spontaneous as
his fun is it never overpasses the temperance of all true
art. And another unique feature of his is the stately and
dignified way in which he deals with the seemingly small
subject which has excited his sympathy. Landseer gave
grandeur to a donkey, and Mark Twain paints a scene between
a dog and a pinch-bug with such true perception of
universal laws, that is quite worthy to occur, as it does,
in church, and to extinguish the parson's sermon, which is
not half so important. That Mark is a philosopher is amply
proved by the following
incident: Tom Sawyer, having offended his guardian, Aunt Polly, is
by that sternly-affectionate dame punished, by being set to
whitewash the fence in front of the garden. The world
seemed a hollow mockery to Tom, who had planned fun for
that day, and who knew that he would be the laughing stock
of all the boys as they came past and saw him, set to work
like a 'nigger.' But a great inspiration burst upon him,
and he went tranquilly to work. What that inspiration was
will appear from what follows. One of the boys, Ben.
Rogers, comes by and pauses, eating a particularly fine
apple. Tom does not see him. Ben. stared a moment, and then
said: In a brief preface the author tells us that most of the adventures recorded in his book really occurred with himself or his schoolmates; that Huck Finn is drawn from life, and others are composite characters; and the odd superstitions touched upon are such as prevailed among children and slaves in the west thirty years ago. "Although," he says, "my book is intended mainly for the entertainment of boys and girls, I hope it will not be shunned by men and women on that account, for a part of my plan has been to try pleasantly to remind adults of what they once were themselves, and of how they felt and talked and what queer enterprises them sometimes engaged in." I feel quite sure that the book will be a favorite in England, among grown-up folk, and also among the boys and girls of the fifty thousand governesses, enumerated in the new census, who guard the Hesperides of youth, permit anything so fresh, and natural, and free from cant and pietism, to find its way into their little heads and hearts. But however this may be, Mark Twain has written a book which will cause all sensible people to love and honor him, and at the same time will inspire a doubt whether it will be really true that, as he states in an article in Temple Bar, he has found perfect happiness in Connecticut by the simple plan of killing his conscience. Meanwhile, to Americans abroad, it will be a proud centennial fact that if we have our Belknaps and Babcocks, we also have our Twain of a different stamp, and if Missouri is for the time presented in the White House by a Grant, Tom Sawyers, though at present in the rough, are growing up in the background, and may come to the front. Nay, as these things happened thirty years ago, Tom must be somewhere about, and I recommend the political conventions, in choosing our next president, to look out for him. No doubt information may be obtained in the neighborhood of Hartford. "There's millions in it." |